| |
Dick
Contino is beloved by two wildly divergent audiences. To one,
he remains 'The Valentino of the Accordion.' To them, his
chiseled features, effortless stage presence and peerless
mastery of instrument are as entrancing today as they were
50 years ago. To another, he's a sardonically hard-bitten
crime fiction hero, the former star of a string of B pictures
reincarnated as a film noir phantom haunting Hollywood's underworld.
Contino maintains a breathless schedule of concerts and
club gigs. At 67, he continues to parlay the adulation that
first came his way some 50 years ago. "I hate that
old cliche, 'Well, it's a state of mind.' Yeah, but it is.
It's where you are in consciousness. Where you are in awareness,"
he says. An upcoming tour with singer Julius LaRosa includes
stops in "Buffalo, Toronto, Montreal, Rochester, Utica,
N.Y. In December there's a thing planned for me in Chicago
to celebrate my 50th year as a professional in the business
since I first introduced "Lady of Spain," y'know,
on the Horace Heidt Show. I'm looking forward to that. It's
a nice ride, y'know."
The ride began on bandleader Horace Heidt's radio program
in the late forties. In a Heidt-sponsored talent search,
Contino smoked the competition week after week with a blistering
rendition of "Lady of Spain," a song that went
on to become as closely identified with the accordion as
mustard is with hot dogs. Overnight, a squealing brigade
of bobby-soxers realized that the accordion was cool. Contino
made it cool. 500 Dick Contino fan clubs covered the nation
and Dick was pulling down $4,000 a week for club dates and
radio appearances.

|